Monday, April 24, 2006
Lesson-12 : Get the Hang of Bar- Part-2
Generally, while playing or singing the notes, the very first note of the bar is given an relative accent compared to others.
In case of a four crotchets per bar system, the 3rd note also slightly accented but not to the extent of first one.
The 2nd and 4th notes are played normally.
Please recall earlier discussions wherein we indicated, the breaking of words into syllables and stressing of certain part of the syllable.
Now you can easily conclude such stressing of word part falls on the First note of the bar.
Alternatively, you can analyse the existing song and carry out the reverse process of dissecting into notes….. Such accented words/notes will help you in identifying the bar start, in a song.
And then you can watch how many units each bar is having.
Try to make uniform claps or tapping, mentally trace one bar equivalent.
Try to say 1-2-3-4, repeatedly (or 1-2-3, 1-2-3) and see whether you are getting synchronized with the accented words when saying 1.
With that you can form a mental graph sheet and try to fit the various notes within a bar and analyse the duration of each note.
Like this, bar-by-bar you can proceed and write the time value of the notes first.
Simultaneously, the sound value of the note C, D, E etc of particular notes are identified by comparing mentally or with instrument, and the notes are placed on their respective lines or space in the stave.
Easy to tell.. But needs a lot of practice…!
Biggest problem in IR song is, you get so invoooooooolved in the song, the instruments etc, you fail repeatedly in following this rhythm count analysis.
But with little practice, you can find the songs are so clear in notes pattern, and easily you can identify the bar lines.
Later on, you yourself will become addict to such following up of saying 1-2-3-4 to any of his song automatically and mentally visualizing these bars !
In case of a four crotchets per bar system, the 3rd note also slightly accented but not to the extent of first one.
The 2nd and 4th notes are played normally.
Please recall earlier discussions wherein we indicated, the breaking of words into syllables and stressing of certain part of the syllable.
Now you can easily conclude such stressing of word part falls on the First note of the bar.
Alternatively, you can analyse the existing song and carry out the reverse process of dissecting into notes….. Such accented words/notes will help you in identifying the bar start, in a song.
And then you can watch how many units each bar is having.
Try to make uniform claps or tapping, mentally trace one bar equivalent.
Try to say 1-2-3-4, repeatedly (or 1-2-3, 1-2-3) and see whether you are getting synchronized with the accented words when saying 1.
With that you can form a mental graph sheet and try to fit the various notes within a bar and analyse the duration of each note.
Like this, bar-by-bar you can proceed and write the time value of the notes first.
Simultaneously, the sound value of the note C, D, E etc of particular notes are identified by comparing mentally or with instrument, and the notes are placed on their respective lines or space in the stave.
Easy to tell.. But needs a lot of practice…!
Biggest problem in IR song is, you get so invoooooooolved in the song, the instruments etc, you fail repeatedly in following this rhythm count analysis.
But with little practice, you can find the songs are so clear in notes pattern, and easily you can identify the bar lines.
Later on, you yourself will become addict to such following up of saying 1-2-3-4 to any of his song automatically and mentally visualizing these bars !
